Das emp­fin­dungs­fä­hi­ge selbst­fah­ren­de Auto Van­guard-3181 steht wegen ver­such­ten Mor­des vor Gericht. Aus der Per­spek­ti­ve einer Über­wa­chungs­droh­ne unter­sucht das Pro­jekt die juris­ti­sche Fik­ti­on der elek­tro­ni­schen Persönlichkeit.

Bio­gra­phie
Lon­don-based Malay­si­an Chi­ne­se artist Law­rence Lek unites film­ma­king, video games, and elec­tro­nic music in a sin­gu­lar cine­ma­tic uni­ver­se. He is best known for advan­cing the con­cept of Sino­fu­tu­rism with immersi­ve instal­la­ti­ons that explo­re spi­ri­tu­al and exis­ten­ti­al the­mes through the lens of sci­ence fic­tion. Fea­turing a rota­ting cast of noma­dic cha­rac­ters, his works are noted for their dream­li­ke nar­ra­ti­ves, evo­ca­ti­ve imagery, and preoc­cu­pa­ti­on with tech­no­lo­gy and memory.

Regie: Law­rence Lek

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