My Genera­ti­on

Ludo­vic Hou­p­lain | Frank­reich 2018 | 8′ | Ani­ma­ti­ons­film | Englisch/Deutsch | Köln-Premiere
New Aes­the­tic I

Was wenn wir unse­re Smart­pho­nes hin­le­gen und unse­re „eyes wide shut“ mal öff­nen wür­den? So der Vor­schlag von „My Genera­ti­on“, eine acht­mi­nü­ti­ge Rei­se durch ver­schie­de­ne Wel­ten: zeit­ge­nös­si­sche Kunst, GAFA, Sport, Reli­gio­nen, Por­no­gra­phie, Poli­tik, Finanz­we­sen, Hei­li­ge Kühe, all­ge­gen­wär­ti­ge Über­wa­chung – alles auf sei­ne Art Opi­um des Vol­kes. Ein Hie­ro­ny­mus Bosch, der in die Post-War­hol-Ära gebeamt wurde.

Film­de­tails

Mon­ta­ge: Jean Fran­çois Fontaine
Musik & Ton: Mir­waïs Ahmadzaï
Pro­duk­ti­on: H5 / Les Pro­duc­tions 50/50

 

Screenings/Preise

Fes­ti­val Inter­na­tio­nal du Film d’Animation d’Annecy 2019 (Jury Dis­tinc­tion for Social Signi­fi­can­ce)
44th Cleve­land Inter­na­tio­nal Film Fes­ti­val (Best Ani­ma­ted Short)
64th Cork Film Fes­ti­val (Hono­r­able Men­ti­on)
Seo­ul Inter­na­tio­nal Ani­ma­ted Film Fes­ti­val 2019 (Spe­cial Dis­tinc­tion Award)

Fil­mo­gra­phie

Money Time, 2016 (H5)
Logora­ma, 2009 (H5)
Remind Me, 2002

Bio­gra­phie

Born in 1969, Ludo­vic Hou­p­lain grew up with his head in the comics. In 1993 he sets up H5 crea­ti­ve stu­dio. Grand­son of the Pop Art, he deepens Warhol’s dyna­mics by drawing a new voca­bu­la­ry from the com­mu­ni­ca­ti­on approach its­elf, rather than ordi­na­ry mass con­su­mer goods. He ana­ly­ses com­mu­ni­ca­ti­on tools and mass media with his own artis­tic approach.

 

 

 

Alle Fil­me in die­sem Programm

My Genera­ti­on

My Genera­ti­on

How to disappear

How to disappear 

Homo Eco­no­mic­us: I, II, III

Homo Eco­no­mic­us: I, II, III 

Clean with Me (After Dark)

Clean with Me (After Dark) 

Alo­ne Together

Alo­ne Together