Gene­ra­ti­ve KI ver­zerrt unser kol­lek­ti­ves Gedächt­nis. Von Amok­lauf-Übun­gen über Inter­net-Foren bis hin zu syn­the­ti­schen Bil­dern ver­an­schau­licht SATURN, wie rea­le Trau­ma­ta mit den mani­pu­lier­ten Ver­schwö­rungs­nar­ra­ti­ven unse­res digi­ta­len Zeit­al­ters kollidieren.

Bio­gra­phie Emma­nu­el Van der Auwera
Emma­nu­el Van der Auwera (b. 1982, BE) is an artist who­se work reflects upon the chains of pro­duc­tion and con­sump­ti­on of images as part of a new visu­al eco­no­my brought by digi­tal spaces, and the respon­si­bi­li­ty inher­ent in the act of see­ing. He is a 2015 Lan­gui Award reci­pi­ent of the Young Bel­gi­an Art Pri­ze, and the first win­ner of the Gold­was­ser­schen­king award­ed by the WIELS Con­tem­po­ra­ry Art Cent­re. His work has been wide­ly shown at lea­ding insti­tu­ti­ons such as the Palais de Tokyo (Paris, FR); Pi

Regie: Emma­nu­el Van der Auwera
Mon­ta­ge: Emma­nu­el Van der Auwera and Pedro Goss­ler
Ton: Pierre Dozin

Fil­mo­gra­phie
2024 White Cloud
2025 The Gos­pel

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Alle Fil­me in die­sem Programm

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The Future Is Now Final­ly Weird AF (The Ulti­ma­te AI Core­Co­re Expe­ri­ence) — Part Three 

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The Val­ley whe­re LOAB lives 

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MEGA­TRASH­WAN­N­A­BE­BIGSTARxD

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