The Care­er of Paul Tho­mas Ander­son in Five Shots

Kevin B. Lee | USA 2012, 9′, Video-Essay, Eng­lisch ohne UT
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Die­ser Film über­trägt die cha­rak­te­ris­ti­schen Kame­ra­fahr­ten in Paul Tho­mas Ander­sons ers­ten fünf Fil­men auf eine zwei­di­men­sio­na­le Kar­te. So wird gezeigt, wie jede die­ser Sze­nen Teil einer fort­schrei­ten­den Ent­wick­lung die­ser cine­ma­to­gra­fi­schen Her­an­ge­hens­wei­se ist – vom Prunk der frü­hen Fil­me hin zu einer sub­ti­le­ren Ver­wen­dung, die eher auf Kom­po­si­ti­on als auf Bewe­gung aus ist.

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Fil­mo­gra­phie

Bio­gra­phie

Kevin B. Lee is a filmma­ker, media artist, and cri­tic. He has pro­du­ced over 360 video essays explo­ring film and media. His award-win­ning Trans­for­mers: The Pre­make intro­du­ced the “desk­top docu­men­ta­ry” for­mat and was named one of the best docu­men­ta­ries of 2014 by Sight & Sound. Through Bot­t­led Songs, his col­la­bo­ra­ti­ve pro­ject with Chloé Gali­bert-Laî­né, he was awar­ded the 2018 Sundance Insti­tu­te Art of Non­fic­tion Grant, the 2018 Euro­pean Media Artist Plat­form Resi­den­cy, and the 2019 Eurimages Lab Pro­ject Award at Kar­lo­vy Vary Inter­na­tio­nal Film Fes­ti­val. He is cur­r­ent­ly Pro­fes­sor of Cross­me­dia Publi­shing at Merz Aka­de­mie, Stutt­gart. Begin­ning in 2022 he will be the Locar­no Film Fes­ti­val Pro­fes­sor for the Future of Cine­ma and the Audio­vi­su­al Arts at Uni­ver­si­tà del­la Sviz­ze­ra ita­lia­na (USI).

 

Kon­takt & Links

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Alle Fil­me in die­sem Programm

The Spiel­berg Face

The Spiel­berg Face 

The Care­er of Paul Tho­mas Ander­son in Five Shots

The Care­er of Paul Tho­mas Ander­son in Five Shots 

Inter­face 2.0

Inter­face 2.0

Trans­for­mers the Premake

Trans­for­mers the Premake 

Rea­ding // Bin­ging // Benning

Rea­ding // Bin­ging // Benning 

Once Upon a Screen: Explo­si­ve Paradox

Once Upon a Screen: Explo­si­ve Paradox 

Mour­ning with Minari

Mour­ning with Minari 

#movie­of­my­li­fe

#movie­of­my­li­fe