The Spielberg Face

Kevin B. Lee | USA 2012, 9′, Video-Essay, Englisch ohne UT
Spotlight

Dieser Film überträgt die charakteristischen Kamerafahrten in Paul Thomas Andersons ersten fünf Filmen auf eine zweidimensionale Karte. So wird gezeigt, wie jede dieser Szenen Teil einer fortschreitenden Entwicklung dieser cinematografischen Herangehensweise ist – vom Prunk der frühen Filme hin zu einer subtileren Verwendung, die eher auf Komposition als auf Bewegung aus ist.

Filmdetails

Screenings/Preise

Filmographie

Biographie

Kevin B. Lee is a filmmaker, media artist, and critic. He has produced over 360 video essays exploring film and media. His award-winning Transformers: The Premake introduced the “desktop documentary” format and was named one of the best documentaries of 2014 by Sight & Sound. Through Bottled Songs, his collaborative project with Chloé Galibert-Laîné, he was awarded the 2018 Sundance Institute Art of Nonfiction Grant, the 2018 European Media Artist Platform Residency, and the 2019 Eurimages Lab Project Award at Karlovy Vary International Film Festival. He is currently Professor of Crossmedia Publishing at Merz Akademie, Stuttgart. Beginning in 2022 he will be the Locarno Film Festival Professor for the Future of Cinema and the Audiovisual Arts at Università della Svizzera italiana (USI).

 

Kontakt & Links

WebsiteInstagramVimeo

Alle Filme in diesem Programm

The Spielberg Face

The Spielberg Face

The Career of Paul Thomas Anderson in Five Shots

The Career of Paul Thomas Anderson in Five Shots

Interface 2.0

Interface 2.0

Transformers the Premake

Transformers the Premake

Reading // Binging // Benning

Reading // Binging // Benning

Once Upon a Screen: Explosive Paradox

Once Upon a Screen: Explosive Paradox

Mourning with Minari

Mourning with Minari

#movieofmylife

#movieofmylife