A Very Long Expo­sure Time

Chloé Gali­bert-Laî­né | Frank­reich 2020 | 7′ | Expe­ri­men­tal­film | Eng­lisch | Köln-Premiere
New Aes­the­tic II

Eine poe­ti­sche Rei­se, ermög­licht durch Lou­is Daguer­res Foto­ap­pa­ra­te, 16-mm-Film­ka­me­ras, pixel­schwa­che Video­spiel­kon­so­len, frü­he Smart­pho­nes und aktu­el­le Gra­fik­in­ter­faces. Die Fra­ge dabei: Wel­che Aspek­te der Rea­li­tät sol­len die­se Tech­no­lo­gien jeweils ein­fan­gen? Wel­che Phä­no­me­ne, ent­we­der zu lang­sam oder zu schnell, ent­zie­hen sich ihrem Zugriff?

Film­de­tails

Regie: Chloé Galibert-Laîné

Screenings/Preise

Inter­na­tio­na­le Kurz­film­ta­ge Oberhausen
trans­me­dia­le 2021
Moscow Inter­na­tio­nal Expe­ri­men­tal Film Fes­ti­val 2021
Go Short – Inter­na­tio­nal Short Film Fes­ti­val Nij­me­gen 2021

Fil­mo­gra­phie

2020 Foren­sick­ness
2018 Watching the Pain of Others
2018 Flâ­ne­rie 2.0
2017 The Eye was in the Tomb and Sta­red at Daney

Bio­gra­phie

Chloé Gali­bert-Laî­né is a French rese­ar­cher and filmma­ker, cur­r­ent­ly working as a post-doc at HSLU (Switz­er­land). Her work explo­res the inter­sec­tions bet­ween cine­ma and online media, with a par­ti­cu­lar inte­rest for ques­ti­ons rela­ted to modes of spec­ta­tor­s­hip, ges­tu­res of appro­pria­ti­on and media­ted memo­ry. Her films have been scree­n­ed at venues inclu­ding FID­Mar­seil­le, Ji.hlava IDFF, Inter­na­tio­na­le Kurz­film­ta­ge Ober­hau­sen, True/False Fes­ti­val, trans­me­dia­le and EMAF.

Kon­takt & Links

Web­siteEmail

Alle Fil­me in die­sem Programm

WE ARE THE BAD WEEDS

WE ARE THE BAD WEEDS 

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A Very Long Expo­sure Time

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Cop­per Choppers

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The End of Suf­fe­ring (A Proposal)

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