Azi­za

Sou­da­de Kaa­dan | Syri­en 2019 | 13′ | Spiel­film | Ara­bisch mit eng­li­schen UT | NRW-Premiere
Best of Fes­ti­vals I

Ayman, ein syri­scher Flücht­ling im Liba­non, bringt sei­ner Frau bei, sein Auto zu fah­ren. Es ist der ein­zi­ge Besitz, der ihm bleibt. Doch die Fahr­stun­de biegt ab in Rich­tung Wahn­sinn und Nostalgie.

Film­de­tails

Bild­ge­stal­tung: Els­sy Hajjar
Ton: Elia Haddad
Pro­duk­ti­on: KAF Production

Screenings/Preise

Sundance: Short Grand Jury Prize
Olhar de Cine­ma: Best Short
Sil­ver Hugo for Best Short Film: Chi­ca­go Inter­na­tio­nal Film Festival
Spe­cial Men­ti­on: Moto­vun Film Festival

Fil­mo­gra­phie

2019 AZI­ZA
2018 The Day I Lost My Shadow
2018 Obscure

Bio­gra­phie

Sou­da­de Kaa­dan is a Syri­an direc­tor, born in Fran­ce. She stu­di­ed thea­ter cri­ti­cism in the Hig­her Insti­tu­te of Dra­ma­tic Arts in Syria and filmma­king in Saint Joseph Uni­ver­si­ty (IES­AV) Leba­non. Her films have scree­n­ed at several venues natio­nal­ly and inter­na­tio­nal­ly and have recei­ved inter­na­tio­nal awards. Her first fea­ture fic­tion film THE DAY I LOST MY SHADOW was awar­ded THE LION OF THE FUTURE award for best debut film in Veni­ce Film Fes­ti­val 2018, and the jury pri­ze for direc­ting at LA Festival.

 

Alle Fil­me in die­sem Programm

Azi­za

Azi­za

Cadoul de Crăciun (The Christ­mas Gift)

Cadoul de Crăciun (The Christ­mas Gift) 

Excess Will Save Us

Excess Will Save Us 

Egg

Egg

Past Per­fect

Past Per­fect